Monday, December 31, 2007

the chauvel - intro

At the beginning of 2006, the City of Sydney leased the Chauvel to the Palace Film Group, who pledged to operate it as a Specialised Independent Cinema: that is, one which provides audiences with the opportunity to see new local shorts and features; film festival offerings; independent films from around the world; and cinémathèque-style programming.

The new Chauvel re-opened temporarily on April 20, 2006, for the Goethe Institute's German Film Festival, and again for a festival of German football films in May, before closing for renovations. The Chauvel had its official grand re-opening on July 27. Their new website is www.chauvelcinema.net.au.

You can follow these links for more about the history of the Chauvel closure, and for the full text of City Council's Chauvel Motion. You can also post your thoughts on the Chauvel's past, present, and future on the FLICs Forum.

Tuesday, July 25, 2006

lord mayor's speech at opening

FLICs would like to thank Lord Mayor Clover Moore for her speech at the opening of the new Chauvel on Monday the 24th of July. Clover acknowledged the importance of community involvement at the new Chauvel and the expanding role of FLICs as "an important voice for film culture" in our ongoing efforts beyond the Chauvel. Clover's speech is as follows...
"Chauvel Cinemas Launch, 24 July 2006
Thank you Antonio [Zeccola].
I'd like to acknowledge the Gadi-gal people of the Eora nation, the traditional custodians of our land.
I am pleased to join you tonight for the reopening of the Chauvel Cinemas.
Twelve months ago, the possibility of such an event was uncertain. The Australian Film Institute had decided to end their long standing tenancy at a time when cinema audiences appeared to be declining, a decline encouraged by the increasing popularity of DVDs and home cinemas.
The major arts funding bodies, the principal custodians of our cinema culture, were not interested in helping to keep the Chauvel open, while the Chauvel itself needed to be refurbished to make it more attractive to cinema goers.
But there were plenty of people who were passionate about the Chauvel, who recognised its importance to the cultural life of Sydney, and who didn't want it to go dark.
They organised meetings, wrote letters and spoke to me directly at one of our community forums.
I received around 100 letters about the Chauvel, the most I have received on any arts related subject since I became Lord Mayor.
These letters came from residents and non-residents; people involved in the film industry and people who were keen cinema goers. They pointed to the Chauvel's important role in screening new Australian films - that would otherwise not be seen at the large multiplexes or would be diminished on TV.
These opportunities were especially important for young and emerging filmmakers, who were keen to learn from their peers both here and overseas, as well as from great film artists of the past.
Last September Council unanimously adopted a resolution which gave in principle support for maintaining opportunities at the Chauvel for new Australian films, quality art house cinema, cinemateque programming and other cinema cultural activities.
That resolution set the benchmarks for Council in selecting a new lessee for the Chauvel.
Palace Cinemas met these benchmarks and entered a lease agreement with the City, thereby safeguarding the Chauvel as a unique film centre.
I was encouraged, Antonio, by your vision of establishing the Chauvel as a creative hotbed where artists and filmmakers can gather to discuss and nurture ideas, and have access to all of the facilities required to bring those ideas to fruition.
I am sure there will be many filmmakers who share your vision and who will help you achieve it.
We know that there this is passion and commitment for cinema in Sydney.
Last year's campaign led to the formation of FLICS, or Filmmakers for an Independent Cinema [See note below]. This group initially began to campaign for the Chauvel, but has now broadened its concerns to cover many aspects of film culture.
I know it has raised concerns about changes in Commonwealth film censorship arrangements and it is still pursuing the need for a permanent cinemateque in Sydney. I am sure that it will become an important voice for film culture.
I am also sure that FLICS will be looking at establishing a mutually beneficial relationship with the Chauvel management. After all - they are your audience!
Tonight, Antonio, your vision becomes a reality. On behalf of the City of Sydney, I wish you every success and I am sure that Charles and Elsa [Chauvel, the pioneer Australian filmmakers and namesakes of the cinema] will be smiling on you."

* Note - FLICs, Film Lovers for Independent Cinema, would like to highlight the contribution of non-filmmakers in our work. Our organisation would not exist without the dedication of many volunteers who are not part of the film industry at all. In its efforts FLICs looks to represent the voices of all film lovers.

Sunday, March 26, 2006

history of the chauvel closure

The Chauvel Cinema in the historic Paddington Town Hall has been a centre for screen culture since the sixties. In 1995, the City of Sydney and the State of NSW funded a multi-million dollar renovation and re-opened the Chauvel Cinema as part of the Sydney Film Centre. It was operated by Alex Meskovic as a commercial entity for the next ten years, showing new Australian shorts and features; cinema classics as part of a cinémathèque program; and cutting-edge international features.

In May of 2005 Mr. Meskovic retired from the Chauvel, citing in part the difficulty of running an independent cinema during a downturn in quality film production, and the rise in DVD viewing. The Australian Film Institute took over the operations and commissioned a study which indicated that the Chauvel was losing 20 to 30 thousand dollars a month. The AFI announced that they could not afford to keep the cinema open under these conditions; they would have to give up the lease.

This news shocked the NSW film community. A public meeting was called on August 11th 2005, only seven weeks before the end of the Chauvel's lease. More than 200 community members and industry turned up to declare their passionate support for the Chauvel. Coming right on the heels of the Valhalla's closure, the community agreed that the Chauvel had to be saved.
Unfortunately, a Working Party - convened by the AFI and attended by representatives of the AFC, the NSW FTO, and the Mayor's office - was unable to offer any funding.

The community then formed FLICs - Film Lovers for Independent Cinema - with the goal of revitalizing the Chauvel so that it could perform its unique and irreplaceable role in Australian screen culture. Many industry groups and individuals - from the Australian Screen Directors Association to critic Margaret Pomeranz - expressed their support for FLICs during this time.

FLICs launched an intensive campaign, which included letter-writing, phone calls, and the gathering of over 2000 signatures, in order to bring the community's desires to City Council's attention. We worked with a number of councillors, including Marcelle Hoff, Chair of the Cultural Committee, to pass a Motion supporting the community's goals. This Motion states that the City will consider rent waivers or subsidies for any group using the Chauvel to promote screen culture. As a result, the Chauvel will not just re-open as a cinema; the lessee has pledged to run the venue as a year-round film festival, highlighting new Australian shorts and features, great works of international cinema, and cinémathèque programming.

Wednesday, September 14, 2005

city council's chauvel motion

The City Council Motion passed 12/9/2005 reads that Council:

1) notes concern about the loss of the Chauvel after the Australian Film Institute ceases operating the cinemas after 30 September 2005;

2) notes that primary responsibility for funding the arts rests with state and federal government;

3) gives in principle support for a rental subsidy to any potential lessee of the Chauvel for the purpose of maintaining opportunities for new Australian films, quality art house cinema, cinémathèque programming and other cinema culture activities;

4) requests the Chief Executive Officer to liaise with the Lord Mayor on any proposed lease of the Chauvel and to report back to the Cultural and Community Services Committee.

FLICs believes this Motion is highly significant: When the Chauvel closed in 2005, the City stated publicly that they considered themselves purely as landlords of the Town Hall. This Motion not only makes it clear that the City values the Chauvel more as a cultural institution than as a venue for hire; but also that the City is committed to keeping the Chauvel as a screen culture landmark through in principle to rent subsidies for a tenant at the Chauvel who meets the stated criteria. FLICs applauds the City for taking such a strong and principled stand.